
Gregory J. Markopoulos
- Known for
- Directing
- Born
- 12 March 1928 · Toledo, Ohio
- Died
- 12 November 1992
Gregory J. Markopoulos (March 12, 1928 - November 12, 1992) was an American experimental filmmaker. Born in Toledo, Ohio to Greek immigrant parents, Markopoulos began making 8 mm films at an early age. He attended USC Film School in the late 1940s, and went on to become a co-founder — with Jonas Mekas, Shirley Clarke, Stan Brakhage and others — of the New American Cinema movement. He was as well a contributor to Film Culture magazine, and an instructor at the Art Institute of Chicago. In 1967, he and his partner Robert Beavers left the United States for permanent residence in Europe. Once ensconced in self-imposed exile, Markopoulos withdrew his films from circulation, refused any interviews, and insisted that a chapter about him be removed from the second edition of Visionary Film, P. Adams Sitney's seminal study of American avant-garde cinema. While he continued to make films, his work went largely unseen for almost 30 years.
Known for
Directing 48
- 2026Bliss (Eniaios edit) · director
- 1997Eniaios · director
- 1976Prosopographia · director
- 1975Gilbert and George · director
- 1973Index – Hans Richter · director
- 1973Heracles · director
- 1973Hagiographia II · director
- 1972The Divine Damnation · director
- 1971Cimabue! Cimabue! · director
- 1971Saint Acteon · director
- 197135, boulevard General Koenig · director
- 1971Doldertal 7 · director
- 1970Hagiographia · director
- 1970Alph · director
- 1970Moment · director
- 1970Genius · director
- 1969Sorrows · director
- 1969Political Portraits · director
- 1969Hulda Zumsteg · director
- 1969The Olympian · director
- 1968(A)lter (A)ction · director
- 1968Gammelion · director
- 1968Der Schachtel · director
- 1968The Mysteries · director
- 1967The Illiac Passion · director
- 1967Himself as Herself · director
- 1967Bliss · director
- 1967Through a Lens Brightly: Mark Turbyfill · director
- 1967Twice A Man Twice · director
- 1967Eros, O Basileus · director
- 1967The Dead Ones · director
- 1966Ming Green · director
- 1966Galaxie · director
- 1966Test with Masks for ‘The Illiac Passion’ · director
- 1965The Death of Hemingway (An Obituary Fantasy) · director
- 1964Rushes for ‘The Illiac Passion’ · director
- 1963Twice a Man · director
- 1961Serenity · director
- 1953Eldora · director
- 1951Flowers of Asphalt · director
- 1950Swain · director
- 1950Jackdaw · director
- 1949Christmas U.S.A. · director
- 1949Charmides · director
- 1949Lysis · director
- 1948Psyche · director
- 1940A Christmas Carol · director
- —Of Blood, of Pleasure and of Death · director
Acting 22
- 2005My Hand Outstretched to the Winged Distance and Sightless Measure as Himself
- 2003Early Monthly Segments
- 2002The Hedge Theater as Himself
- 2000Sotiros
- 1997Birth of a Nation as Self
- 1987Due film-maker in giardino - Robert Beavers & Gregory J.Markopoulos as Self - director
- 1972From the Notebook of... as Himself
- 1972The Painting
- 1969Heads as Self
- 1969Political Portraits as Narrator (voice)
- 1968Diaries, Notes, and Sketches as Self
- 1967Winged Dialogue
- 1967The Illiac Passion as Narrator / The Filmmaker
- 1967Spiracle
- 1967The Dead Ones as Paul
- 1965The Death of Hemingway (An Obituary Fantasy) as Narrator (voice)
- 1964Dionysus
- 1964Award Presentation to Andy Warhol as Self
- 1950Swain as the protagonist, Swain
- 1940A Christmas Carol as Ebenezer Scrooge
- —My Hand Outstretched to the Winged Distance and Sightless Measure as Himself
- —Of Blood, of Pleasure and of Death as The Wanderer
crew 21
- 1975Gilbert and George · cinematography
- 1969Sorrows · cinematography
- 1969The Olympian · cinematography
- 1969Political Portraits · cinematography
- 1968Gammelion · cinematography
- 1968The Mysteries · cinematography
- 1967The Illiac Passion · cinematography
- 1967Himself as Herself · cinematography
- 1967Bliss · cinematography
- 1967Through a Lens Brightly: Mark Turbyfill · cinematography
- 1967Eros, O Basileus · cinematography
- 1967The Dead Ones · cinematography
- 1966Ming Green · cinematography
- 1966Galaxie · cinematography
- 1964Dionysus · cinematography
- 1963Twice a Man · cinematography
- 1961Serenity · cinematography
- 1953Eldora · cinematography
- 1950Swain · cinematography
- 1949Christmas U.S.A. · cinematography
- 1948Psyche · cinematography
Editing 20
- 1975Gilbert and George · editor
- 1969Sorrows · editor
- 1969Political Portraits · editor
- 1969The Olympian · editor
- 1968Gammelion · editor
- 1968The Mysteries · editor
- 1967The Illiac Passion · editor
- 1967Himself as Herself · editor
- 1967Bliss · editor
- 1967Through a Lens Brightly: Mark Turbyfill · editor
- 1967Eros, O Basileus · editor
- 1967The Dead Ones · editor
- 1966Ming Green · editor
- 1966Galaxie · editor
- 1963Twice a Man · editor
- 1961Serenity · editor
- 1953Eldora · editor
- 1950Swain · editor
- 1949Christmas U.S.A. · editor
- 1948Psyche · editor
Production 16
- 1969The Olympian · producer
- 1968Gammelion · producer
- 1967The Illiac Passion · producer
- 1967Himself as Herself · producer
- 1967Through a Lens Brightly: Mark Turbyfill · producer
- 1967Bliss · producer
- 1967Eros, O Basileus · producer
- 1967The Dead Ones · producer
- 1966Ming Green · producer
- 1966Galaxie · producer
- 1963Twice a Man · producer
- 1961Serenity · producer
- 1950Swain · producer
- 1949Charmides · producer
- 1949Lysis · producer
- 1948Psyche · producer
Writing 11
- 1969Hulda Zumsteg · writer
- 1968The Mysteries · writer
- 1967The Illiac Passion · writer
- 1967Himself as Herself · writer
- 1967The Dead Ones · writer
- 1963Twice a Man · writer
- 1961Serenity · writer
- 1953Eldora · writer
- 1950Swain · writer
- 1949Christmas U.S.A. · writer
- 1948Psyche · writer
Camera 2
- 1964Award Presentation to Andy Warhol · director of photography
- 1947Fragment of Seeking · camera operator





