
Pietro Germi
- Known for
- Directing
- Born
- 14 September 1914 · Genoa, Liguria, Italy
- Died
- 5 December 1974
From Wikipedia, the free encyclopedia Pietro Germi (14 September 1914, Genoa - 5 December 1974) was an Italian actor, screenwriter, and director. Germi was born in Genoa, Liguria, to a lower-middle class family. He was a messenger and briefly attended nautical school before deciding on a career in acting. He studied acting and directing at Rome's Centro Sperimentale di Cinematografia. During his time in school, Germi supported himself by working as an extra, bit actor, assistant director, and, on occasion, writer. Germi made his directorial debut in 1945 with the film Il testimone. His early work, this film included, were very much in the Italian Neorealist style; many were social dramas that dealt with contemporary issues pertaining to people of Sicilian heritage. Through the years, Germi shifted away from social drama towards satirical comedies, but retained his loved element of the Sicilian people. In the 1960s, Germi received worldwide success with the films Divorce, Italian Style, Seduced and Abandoned, and Signore e Signori. The latter is better known in the English-speaking world as The Birds the Bees and the Italians. He was nominated for Academy Awards in both directing and writing for Divorce, Italian Style, and, subsequently, won in the writing category. He also won the Grand Prize at the Cannes Film Festival for Signore e signori. Germi collaborated on the scripts for all the films he directed and appeared as an actor in a few of them. He died in Rome of hepatitis on 5 December 1974.
Known for
Acting 12
- 2006Marcello, una vita dolce as Self (archive footage)
- 1965A Man Named John as Pontiff's Father
- 1961The Lovemakers as Stefano
- 1961Blood Feud as Bolognesi
- 1960Lipstick as Commissario Fioresi
- 1960Five Branded Women as Partisan Commander
- 1959The Facts of Murder as Il Dott. Ingravallo
- 1958Man of Straw as Andrea
- 1956The Railroad Man as Andrea Marcocci
- 1948Escape to France as Tembien
- 1946Monte Cassino
- 1941The Iron Crown as Cavaliere
Writing 25
- 1975My Friends · story
- 1972Alfredo, Alfredo · story
- 1970A Pocketful of Chestnuts · story
- 1968Serafino · story
- 1967The Climax · story
- 1966The Birds, the Bees and the Italians · screenplay
- 1964Seduced and Abandoned · screenplay
- 1961Divorce Italian Style · story
- 1959The Facts of Murder · screenplay
- 1958Man of Straw · screenplay
- 1956The Railroad Man · screenplay
- 1953Black 13 · writer
- 1953Jealousy · screenplay
- 1952The Bandit of Tacca del Lupo · adaptation
- 1951The City Defends Itself · co-writer
- 1950The Path of Hope · story
- 1950Against the Law · story
- 1949In the Name of the Law · screenplay
- 1948Lost Youth · screenplay
- 1946The Testimony · story
- 1945I dieci comandamenti · writer
- 1943Gli ultimi filibustieri · writer
- 1943Il figlio del corsaro rosso · writer
- 1941L'amore canta · writer
- 1939Retroscena · writer
Directing 21
- 1972Alfredo, Alfredo · director
- 1970A Pocketful of Chestnuts · director
- 1968Serafino · director
- 1967The Climax · director
- 1966The Birds, the Bees and the Italians · director
- 1964Seduced and Abandoned · director
- 1961Divorce Italian Style · director
- 1959The Facts of Murder · director
- 1958Man of Straw · director
- 1956The Railroad Man · director
- 1954Mid-Century Loves · director
- 1953Jealousy · director
- 1952The Bandit of Tacca del Lupo · director
- 1952Mademoiselle Gobete · director
- 1951The City Defends Itself · director
- 1950The Path of Hope · director
- 1949In the Name of the Law · director
- 1948Lost Youth · director
- 1947Anglo-Saxon writers and poets in Rome · director
- 1946The Testimony · director
- 1940The Sinner · assistant director
Production 1
- 1966The Birds, the Bees and the Italians · producer





